Kate Playground Toy 2011

Feature

Dear:

From 1 January 2011 the value of entering the sanctuary of nature Yerba Loca will be to:

Adults: $ 2500

children: $ 1,500 (from 5 to age 12)

this value is per person per calendar day.

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SUNSET

Sunday excursion from the last grade students of the institute. In the afternoon, stop for contemplating the sunset from an idyllic cliff. The protesting students, teachers insist. The bus stops some distance from the panoramic view, along with a refreshment and souvenirs. Collapse boys and girls swimming and sweep the place of sweets. All but the guy who loves his teacher. All but the girl he loves his teacher. Both are deep into a labyrinth-shaped path, startling the tutors away from the cliff, beyond the sun sets on the horizon. On the return trip, songs, laughter, eyes crossed. The next day class work on the school trip. Diverse opinions, written inconsequential. Only two essays describe the languid background (and still brilliant) beauty of the evening. Deserve the highest note, but no time to react.

Text and image from Pedro Herrero

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Everyone

no doubt would have praised the attitude of the attendant, in the complicated task of evacuating the ship after the fire broke out accidentally the engine room. It was he who sounded the alarm and organized the lowering of the lifeboats, going from side to side to bring order and calm the inevitable hysterical attempts of some passengers. He also made sure that nobody was trapped on the lower floors and endangered his own life when the boilers come wrapped in flames, explode. Even dared to throw overboard the captain, who had insisted on staying in the bridge (follow this absurd custom of the old salts, not to survive the catastrophe). All, ultimately, both the crew and the passenger would have extolled the value of time wasted at all, had they lived to tell and had not died shortly after their flimsy boats to capsize in the middle of a violent storm. In the absence of such praise, a Once he was alone and was able to extinguish the fire with extinguishers regulations, the purser, much calmer, assessed the situation.

Text and image from Pedro Herrero

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MAKING FALSE SHIPWRECK

By viewing the sequence in which the young protagonist of the film is savagely attacked by a gang of criminals, the director realizes the dress of the girl has gone up a little more than usual, revealing a fascinating detail of his underwear. After seeing it again, it seems that it is a fleeting image and insignificant, almost subliminal, which probably go unnoticed in the context of a scene that does not pursue such exhibitions. However, the director returns to see the sequence in the company of writer and head of photography, especially taking into account the will of the actress clearly stipulated in their contract-to not include nudity or provocative images in history. It also provided for mounting the director and the head dress to contribute their views. And in the absence of consensus, they are joined by associate producer and executive producer, whose opinion as CFOs estimates of vital importance.

The debate, held in the darkness of a small screening room, is intense and contradictory, and forced to contemplate the decision in question several times (first in slow motion and then stopping at the critical moment) to focus the issue and facilitate the presentation of arguments. In the end, no choice but to agree on the ordered sequence, all just admit that there is no choice but to repeat it.

Text and image from Pedro Herrero