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no doubt would have praised the attitude of the attendant, in the complicated task of evacuating the ship after the fire broke out accidentally the engine room. It was he who sounded the alarm and organized the lowering of the lifeboats, going from side to side to bring order and calm the inevitable hysterical attempts of some passengers. He also made sure that nobody was trapped on the lower floors and endangered his own life when the boilers come wrapped in flames, explode. Even dared to throw overboard the captain, who had insisted on staying in the bridge (follow this absurd custom of the old salts, not to survive the catastrophe). All, ultimately, both the crew and the passenger would have extolled the value of time wasted at all, had they lived to tell and had not died shortly after their flimsy boats to capsize in the middle of a violent storm. In the absence of such praise, a Once he was alone and was able to extinguish the fire with extinguishers regulations, the purser, much calmer, assessed the situation.

Text and image from Pedro Herrero

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MAKING FALSE SHIPWRECK

By viewing the sequence in which the young protagonist of the film is savagely attacked by a gang of criminals, the director realizes the dress of the girl has gone up a little more than usual, revealing a fascinating detail of his underwear. After seeing it again, it seems that it is a fleeting image and insignificant, almost subliminal, which probably go unnoticed in the context of a scene that does not pursue such exhibitions. However, the director returns to see the sequence in the company of writer and head of photography, especially taking into account the will of the actress clearly stipulated in their contract-to not include nudity or provocative images in history. It also provided for mounting the director and the head dress to contribute their views. And in the absence of consensus, they are joined by associate producer and executive producer, whose opinion as CFOs estimates of vital importance.

The debate, held in the darkness of a small screening room, is intense and contradictory, and forced to contemplate the decision in question several times (first in slow motion and then stopping at the critical moment) to focus the issue and facilitate the presentation of arguments. In the end, no choice but to agree on the ordered sequence, all just admit that there is no choice but to repeat it.

Text and image from Pedro Herrero

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SELECTED ENTRANT 2010

Congratulations to all elected, wait for instructions via e-mail. Warmest hugs

SELECTED LIST OF VENICE BIENNIAL BOGOTA, VERSION 7.0 / 2010

1. PROJECT RE-LIVE - TUS QUINCE.

ELKIN LONDOÑO CALDERON & DIANA.

2. DRAFT DEBUTANT

GUANIZO DAVID AND MARIBEL TUTA

3. PROJECT A WALTZ IN VENICE

EDISON COW (Chuky)

4. PROJECT EL VALS CECILIA

COLLECTIVE: SANTA CECILIA

FABIO MIRROR / Jeffry ESQUIVEL / CARLOS ALFONSO

5. PROJECT BLOGS 15

JOINT WORKSHOP 18

CORREAL SEBASTIAN, JHONNY Casilimas, ANDRES MANUEL HERNANDEZ AND GARZÓN

6. SHELF PROJECT

Authors: Naidu VELANDIA Y Sabogal DIEGO

7. UNTITLED PROJECT

NATALIA SORZANO

8. PROJECT WOULD YOU LIKE MY LOVE ? ALEXANDER RIOS

9. FIFTEEN YEARS AFTER DRAFT

JOHN FARFAN

10. DRAFT XV Lupes

BASTARD GROUP

RUBÉN ANTORVEZA, NICHOLAS HILLS

11. PROJECT SURFACE TENSION

Eduardo Moreno

12. PROJECT IN VENICE QUINCEAÑERA

ELENA JARAMILLO SALAZAR /

JARAMILLO MARIA ANGELICA

13. PROJECT THE 15 POR-VENIR

FERNANDO CRUZ AND JUAN CARLOS GUERRERO

14. PROJECT IN THE SHOES PLEASE ...

ECOCHUSPA COLLECTIVE.

MEMBERS: JUAN SEBASTIAN RAMIREZ AVELLA.

IVAN RODRIGUEZ FERNANDO DIAZ

15. TRANSFORMATIONS PROJECT 15 "ALUMINUM JOYA"

ANDREA GARCIA

16. DRAFT THE BLOOM OF 15 SPRINGS

CLASS PROJECT

LIMINAL

17. UNTITLED PROJECT

JOINT PROJECT SLIDES

18. DRAFT LOSS OF TRANSPARENCY

JUAN PABLO VELASCO

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In principle, the fact in love with a woman who had a twin sister should not be embarrassing, regardless of the inevitable anecdote. I'm not the first nor the last to pass through this situation. But I admit that when I met which was to be my sister felt a strange familiarity, as if to kiss my girlfriend for the second consecutive time. Contributing to this (it must be said) the readiness with which it corresponded to my greeting, as if that was not the first time we met. And when I discovered that the harmony between the two women extended to the smallest details of his character, I put aside mutual stability that meant for both and started asking me questions that could not respond. I could not, even though I tried, stop looking at my sister with the utmost stealth, every time we agreed the three to have a drink or celebrate a birthday. I could not stop making love to evoke, imagining his body would react with the same range of gestures and moans that I already knew. I took the best that I knew the shameful obsession unhealthy answer my questions, not dwindled over the years, and I agree that, under the education that I had been taught small-my lustful thoughts deserved exemplary punishment. Now, the sister of my wife has finished falling in love with someone identical to me, I think a sentence-a-too clearly.

Text and image from Pedro Herrero