Friday, July 21, 2006

What Adhesive Will Stick To Neoprene




1995 The Venice Biennale I arose at a particular moment in art Bogota, where both official languages, as well as contemporary art spaces were worn, repetitive, and some foreign sobrepolitizados.
The initial approach was to displace the art of the official or common areas to other less established or willing, to gather new audiences and force some of the process of each artist, faced with a specific context. Having to relate their work with audiences who will read it later allowed a number of approaches between author-viewer-context that triggered new strategies of interaction between them.
La Biennale invited from the beginning to artists residing in the town, to show their work in this space because, for obvious reasons are the ones who can bring more precision to the reality of the neighborhood to live in it for years. Other artists, some other guests invited by the organizers allowed the coexistence of different looks, different ways of approaching the area and different processes of creation.

artists give back the valuable support of the people through educational activities such as conferences, workshops and guided tours, which are made available in public facilities during the Venice Biennale exhibition. These activities are generally aimed at children and young people sector or the elderly. PARTICIPANTS






1. ANTONIO CARO
2. MARIA ANGELICA MEDINA
3. JAVIER ALMANZA
4. PILAR ASILAH 5. JAIME AVILA 6. COSTANZA CAMELO
7. MAURITIUS CALIXTO
8. Jaime Ceron
9. Gilles Charalambos
10. Diaz & Juan Mejia WILLSON
11. Andrea Echeverri
12. ESPINOZA LINA
13. OLGA LUCIA GARCIA
14. MIGUEL ANGEL HUERTAS
15. IBARRA SILVIA
16. RUSH HUMBERTO
17. MARTÍNEZ GERMÁN
18. CARLOS MERY
19. DARIO RAMIREZ
20. TEDDY RAMIREZ
21. ERNESTO REYES
22. ROJAS MIGUEL SOTELO
23. MANUEL ROMERO
24. ROBERTO SARMIENTO
25. & The flasks



SOME PICTURES





Collective Work RADIO ZERO

Willson Artwork Diaz and Juan Mejia


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