Kate Playground Toy 2011

Feature

Dear:

From 1 January 2011 the value of entering the sanctuary of nature Yerba Loca will be to:

Adults: $ 2500

children: $ 1,500 (from 5 to age 12)

this value is per person per calendar day.

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SUNSET

Sunday excursion from the last grade students of the institute. In the afternoon, stop for contemplating the sunset from an idyllic cliff. The protesting students, teachers insist. The bus stops some distance from the panoramic view, along with a refreshment and souvenirs. Collapse boys and girls swimming and sweep the place of sweets. All but the guy who loves his teacher. All but the girl he loves his teacher. Both are deep into a labyrinth-shaped path, startling the tutors away from the cliff, beyond the sun sets on the horizon. On the return trip, songs, laughter, eyes crossed. The next day class work on the school trip. Diverse opinions, written inconsequential. Only two essays describe the languid background (and still brilliant) beauty of the evening. Deserve the highest note, but no time to react.

Text and image from Pedro Herrero

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Everyone

no doubt would have praised the attitude of the attendant, in the complicated task of evacuating the ship after the fire broke out accidentally the engine room. It was he who sounded the alarm and organized the lowering of the lifeboats, going from side to side to bring order and calm the inevitable hysterical attempts of some passengers. He also made sure that nobody was trapped on the lower floors and endangered his own life when the boilers come wrapped in flames, explode. Even dared to throw overboard the captain, who had insisted on staying in the bridge (follow this absurd custom of the old salts, not to survive the catastrophe). All, ultimately, both the crew and the passenger would have extolled the value of time wasted at all, had they lived to tell and had not died shortly after their flimsy boats to capsize in the middle of a violent storm. In the absence of such praise, a Once he was alone and was able to extinguish the fire with extinguishers regulations, the purser, much calmer, assessed the situation.

Text and image from Pedro Herrero

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MAKING FALSE SHIPWRECK

By viewing the sequence in which the young protagonist of the film is savagely attacked by a gang of criminals, the director realizes the dress of the girl has gone up a little more than usual, revealing a fascinating detail of his underwear. After seeing it again, it seems that it is a fleeting image and insignificant, almost subliminal, which probably go unnoticed in the context of a scene that does not pursue such exhibitions. However, the director returns to see the sequence in the company of writer and head of photography, especially taking into account the will of the actress clearly stipulated in their contract-to not include nudity or provocative images in history. It also provided for mounting the director and the head dress to contribute their views. And in the absence of consensus, they are joined by associate producer and executive producer, whose opinion as CFOs estimates of vital importance.

The debate, held in the darkness of a small screening room, is intense and contradictory, and forced to contemplate the decision in question several times (first in slow motion and then stopping at the critical moment) to focus the issue and facilitate the presentation of arguments. In the end, no choice but to agree on the ordered sequence, all just admit that there is no choice but to repeat it.

Text and image from Pedro Herrero

Gift Of Money Poem For Bridal Shower

SELECTED ENTRANT 2010

Congratulations to all elected, wait for instructions via e-mail. Warmest hugs

SELECTED LIST OF VENICE BIENNIAL BOGOTA, VERSION 7.0 / 2010

1. PROJECT RE-LIVE - TUS QUINCE.

ELKIN LONDOÑO CALDERON & DIANA.

2. DRAFT DEBUTANT

GUANIZO DAVID AND MARIBEL TUTA

3. PROJECT A WALTZ IN VENICE

EDISON COW (Chuky)

4. PROJECT EL VALS CECILIA

COLLECTIVE: SANTA CECILIA

FABIO MIRROR / Jeffry ESQUIVEL / CARLOS ALFONSO

5. PROJECT BLOGS 15

JOINT WORKSHOP 18

CORREAL SEBASTIAN, JHONNY Casilimas, ANDRES MANUEL HERNANDEZ AND GARZÓN

6. SHELF PROJECT

Authors: Naidu VELANDIA Y Sabogal DIEGO

7. UNTITLED PROJECT

NATALIA SORZANO

8. PROJECT WOULD YOU LIKE MY LOVE ? ALEXANDER RIOS

9. FIFTEEN YEARS AFTER DRAFT

JOHN FARFAN

10. DRAFT XV Lupes

BASTARD GROUP

RUBÉN ANTORVEZA, NICHOLAS HILLS

11. PROJECT SURFACE TENSION

Eduardo Moreno

12. PROJECT IN VENICE QUINCEAÑERA

ELENA JARAMILLO SALAZAR /

JARAMILLO MARIA ANGELICA

13. PROJECT THE 15 POR-VENIR

FERNANDO CRUZ AND JUAN CARLOS GUERRERO

14. PROJECT IN THE SHOES PLEASE ...

ECOCHUSPA COLLECTIVE.

MEMBERS: JUAN SEBASTIAN RAMIREZ AVELLA.

IVAN RODRIGUEZ FERNANDO DIAZ

15. TRANSFORMATIONS PROJECT 15 "ALUMINUM JOYA"

ANDREA GARCIA

16. DRAFT THE BLOOM OF 15 SPRINGS

CLASS PROJECT

LIMINAL

17. UNTITLED PROJECT

JOINT PROJECT SLIDES

18. DRAFT LOSS OF TRANSPARENCY

JUAN PABLO VELASCO

Rolling Tobacco Samples

In principle, the fact in love with a woman who had a twin sister should not be embarrassing, regardless of the inevitable anecdote. I'm not the first nor the last to pass through this situation. But I admit that when I met which was to be my sister felt a strange familiarity, as if to kiss my girlfriend for the second consecutive time. Contributing to this (it must be said) the readiness with which it corresponded to my greeting, as if that was not the first time we met. And when I discovered that the harmony between the two women extended to the smallest details of his character, I put aside mutual stability that meant for both and started asking me questions that could not respond. I could not, even though I tried, stop looking at my sister with the utmost stealth, every time we agreed the three to have a drink or celebrate a birthday. I could not stop making love to evoke, imagining his body would react with the same range of gestures and moans that I already knew. I took the best that I knew the shameful obsession unhealthy answer my questions, not dwindled over the years, and I agree that, under the education that I had been taught small-my lustful thoughts deserved exemplary punishment. Now, the sister of my wife has finished falling in love with someone identical to me, I think a sentence-a-too clearly.

Text and image from Pedro Herrero

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AM A GENIUS TWIN

It was hard to locate the exotic antique shop in that area full of narrow streets and poorly lit. But it was even harder to understand with the owner of the premises (an old lean and mysterious), when I asked him a small gift items which could take home to my country: an Aladdin's lamp to show my wife that I did not forget it in my business trip. The light was beautiful, but apparently had to adhere to a strict protocol when handling. So his owner took pains to translate for me, one by one, all indications showed an old parchment, on how to get it, rub it and make the corresponding desires. I do not understand anything, but everything seemed very funny to me, although at some point I suspected that it was not no joke. At home, I ordered the gift in the cabinet under the receiver, so that my wife will take a surprise, and took the instructions with the intention of showing them later. Something I did wrong. I do not know, maybe I rubbed the lamp at the wrong in a wrong area, it all happened very quickly. Upon arrival my wife discovered my luggage in the bedroom and I looked in vain for all units. A few years later married. I guess now is happy because it has never needed to ask me to rub the lamp and at least one of the three wishes. And, apparently, the cleaning lady is not for the work.

Text: Pedro Herrero
Included in the anthology "Candle in the wind" by Fernando Valls

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A BIRD FOR ONE LAST

A little birdie told me yesterday that you made coffee with the principal's secretary of corporate development, which had been observed in silence and salute every time I met her in the elevator, with the distracted air and polite that characterizes you, and once you had proposed even eat together but she did not want, and then left to spend a reasonable time not to think you were going back and you liked, as it were in effect and no longer know how to give to understand, until at last, who knows if you play or a moment of weakness, you put a shot and took advantage to win at least a small beachhead from which to establish a systematic plan of operations to continue mining its defenses and gradually conquering his will, promising everything you promised me before, that apparently you are no longer interested.

And if the bird did not say anything more was because, as he assured me he was just passing through and had caught the fly that information.

Text and image from Pedro Herrero

Abdelhay El Akale Meknes Maroc

held in Yerba Loca

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the end justice was done. The young man of unknown origin was admitted to the palace posing as the groom in order to unmask the murderer of his father, has fought a duel the evil Marquis that in addition to ruining the boy's family, hatched a sinister plan to seize the throne of the nation. The king, in recognition of the courage shown by the young champion, he restores the peerage which had been taken away and lets him know that he is willing to grant what you want. The young are quick to demand the hand of his daughter, the princess, who is madly in love. In response, the king is pleased to announce the immediate link to the happy couple. The young man takes the opportunity to ask him and his new wife can stay and live in the palace, on an interim basis during the construction work of rebuilding the castle that rightfully belongs. The king, holding in his face the same knowing smile, even without access to any objection. Young adds that, if not too much trouble, let them occupy the north wing units, compared to the drawbridge, where he was to climb every night to see his beloved in secret. The king, already feeling a slight pain in the jaw nervous type, nods in acquiescence. Then the young man, overwhelmed by such generosity, is preparing to ask one last favor. But the king stopped saying that, if only to change the subject, I would like to know exactly why they killed his father.

Text and image from Pedro Herrero

Cute Welcome Poem For Wedding

CALL / VENICE BIENNALE OF BOGOTA / VERSION 7.0

CALL Venice Biennale BOGOTA 7 EDITION
CELEBRATE OUR 15 YEARS
The Venice Biennial of Bogotá, a beautiful teenager.

Guest of honor: Mexico


CALL 2010 Opening: June 24, 2010
Close: August 17, 2010




Transcending intro, mutate, grow ...

yesterday's toys are made smaller as the world

dream of leaving home with your own wings

dream of changing the world with your own hands

open your eyes in the morning will be another

loves you will take over and drive your sails

is strong and constant still sails




Justification

The Venice Biennial of Bogotá is, because it is of great importance through artistic expression develop educational processes and from community. Expected to provide the same neighborhood symbolic-cultural spaces, where they can develop the potential cultural expressions and practices that have been simmering inside. Basic Objective



The BVB seeks to explore ways of approaching art and the Venice neighborhood of Bogotá, with articulated learning strategies within the context of the community. When we speak of education in the context of the Biennale, is understood as a space where they circulate and confront different knowledge about art, their role and their audiences. The Biennial aims to support the search for the community to transform their lifestyles, exploring new elements to her interpretation of everyday life, new standards for reading and experience their relationship with urban space, the neighborhood and themselves.

This Biennale combines the efforts that have been made from different social sectors, public, professionals and academics to mobilize new concepts and practices of community. For artists this means a different commitment to the results of his work, since the proposed biennial search for "other" solutions, conditions and fields of action for their projects in a unique setting: the neighborhood. View


extend this information to:
www.bienal-venice-bogota.blogspot.com


The call

BVB_7 The call is directed to all those artists or foreigners of any age or training to perform object-based projects, not object-based, processual, relational, etc. from its approach to the Venice area and its inhabitants.

BVB for 15 years and has established emergency alternating dynamic compared to the usual paradigms in system-space-public work, in parallel to the current development of contemporary artistic practices in the city of Bogotá and in the country.


The theme for
BVB_7
This year the Biennial has recourse to a common social practice in Latin America, the celebration of 15 year-old woman, a celebration that will serve as metaphor to collect a series of imaginative, dynamic and content that will allow us to have a cross look, not only the neighborhood and the art being made today in our city but also allow us to see ourselves. Thus, in BVB_7 artists or groups of artists, researchers, volunteers etc. who generate synergy and dynamic co-construction between an exhibition of contemporary art and popular tradition, which will bring together 15 teenagers from the neighborhood and the town of Venice Tunjuelito, who met her 15 years concurrently with the Venice Biennial of Bogotá. The proposed protocol should be derived from the organization of this celebrations such as the serenade, the change of shoes, waltz, etc. (See below for protocol steps Classic)

Crawl In view of this kind of celebrations in Latin America, has seen the similarity between this type of celebration in Mexico and Colombia. These beliefs and social practices that still show multiple origins, because of this and other reasons, has determined that this year the guest of honor at the Venice Biennial of Bogotá is Mexico.


the Venice Biennale in Mexico

The Venice Biennial of Bogotá was invited to participate in the Humanitas Festival 2010 organized by the Ministry of Culture Oaxaca State and conduct an artist residency in Oaxaca alternative space called The Tannery, where he conducted an interesting experiment in which a group of Mexican artists led by Demian Flores, director of space and its coordinator Monica Villegas , managed to organize the work of these artists around the celebration of 15 years young Jasmine Ana Jalatlaco resident of the ward where the event took place.

The starting point of this practice is the search and display the points in common between the two cultures by holding a fifteenth birthday party where they make the symbolic step into womanhood and where "debuts" the girl who will soon come to get involved with different social dynamics.

The celebration of the fifteenth year is both a double metaphor, as the Venice Biennial of Bogotá was created in 1995 and this year celebrates its 15th anniversary.


Protocol holding a party 15 years

With some variations, the usual protocol steps are:

PARTY 15 YEARS

· Entry
As guests arrive at reception venue are invited to make their entry into the room. Before joining the photo sign the register or book signings, and then located at assigned tables with their names. When the number of attendees is greater than 70% of total guests will start the formal protocol of the party.

· Hostess
When are the hymn of Aida will make its entry the 15 Hostesses of the Military Court, which march to the center of the room where will be placed on hold for the Quinceanera and her family to provide the respective honors . There will be formed in two lines of 7 Hostess each to go to the voice command of Adjutant Major.

· Familiarity
According to protocol, will present the Mother and Brothers Quinceañera to be located near the cake. There will be located on either side pending receipt of the Quinceañera.

· flower girls
If the teenager is going to follow the tradition of the imposition of jewelry and shoe change at this time will make your Quinceañera a prelude to the three (3) flower girls Actual: The first with Change shoe placed on a cushion decorated beautifully. The second with the Trappings (jewelry) in their respective jeweler, and the third with a beautiful basket full of rose petals, which will be watered on its way to welcome the Quinceañera.

• The Quinceañera
He becomes the most awaited moment: The entrance to the Quinceañera in the order of the Adjutant Major respective honors. Enter with her father, brother or next of kin (if the case warrants it.) La Quinceañera will move slowly toward the center of the room for each and every one of the guests can appreciate its beauty.

Slippers • Changing of
Quinceañeras Some like to celebrate the tradition to the letter, and now the Quinceañera will go to his chair decorated to make the change of shoe, a symbolic act, change of shoes low heels for a few Princess Heel - which means that from that moment the girl becomes a woman.

• The gift
Another tradition is the imposition of the Quinceañera jewelry from their parents. Subsequently, one of the Flower Girl will deliver the bouquet of roses to each of the gentlemen involved in the waltz.

• The waltz
Already in the middle of the room, the hostesses dance around the Quinceañera to finally give it to your Father who will dance first, then one to one dance with his brothers in age order (highest decreasing), close relatives, friends, acquaintances and then with the aide Mayor, who will deliver back to his Father.

• The Ponqué
After the waltz, the Hostess will withdraw from the room and the girl will go to ponqué accompanied by their parents and siblings, to proceed to the symbolic cutting.

• The toast
Father of the Quinceañera will offer a few words in honor of his daughter and her family. After singing happy birthday and blow their fifteen (15) candles will receive the hugs and greetings from family and close friends.

Guided visit to the tables later
visit the tables to greet guests, thank you for your presence and take with them some souvenir photos.

· Rumba
La Quinceañera opens the first dance with his father to begin and the rumba. Two hours before the party ended, the Fathers of the Quinceañera will give you a serenade to his daughter (tuna, mariachi or trio). Finally, the hosts invite everyone to go to the buffet.

· Menu
The executive chef of food and beverages, should give appropriate guidance to the parents of the teenager, to serve the menu according to the number guest (adults and youth) to the theme and budget of the party.

· Serenata
Late at night, to entertain the quinceañera, the often invite a musical group that can be mariachis, a tuna, vallenato, reggaeton, a trio etc. or a carnival with acrobats and jugglers, accompanied by music festival.

· Farewell
We have now completed the protocol of the Feast of fifteen years, more than a tradition is the awakening to a new world. It is very good omen perform each and every one of these steps to ensure that the coming years are Quinceañeras full of light and love.


Sources: http://www.eventosyfiestas.com/quinces/index.htm
http://www.eventosyfiestas.com/revistaquinces_web/index.html


Agenda BVB_7 / 2010

Call ( June 1924)
neighborhood visits (July 3, 1910, 17, 24, 31)
Official Registration (August 7 and 14)
delivery of projects (August 17)
jury's decision (September 10)
implementation of the proposals ( September 17 to October 17)
Assembly of the party (October 17 to 23)
Inauguration (Saturday, 23 October)
Assessment (November 1910) Dynamics


new alliances

visit to Mexico, and seek to live personally experience this celebration is aimed at selecting the artists who will represent Mexico in Bogota, because in this seventh edition, this country is the guest of honor at the Venice Biennale Bogota.
Both experience and the testimony and other information have been widely recorded and serve as a reference to the Colombian artists that address the national call for the seventh edition of the Venice Biennial of Bogotá.



Project Profile invited to participate

• Projects, courses, practical and works:

- involve the active participation of the community
- its scope is the public space
- nomads can be applied to the context of the Biennial
- promote the optimization of public space
- qualify the quality of community life
- centered in new audiences and new audiences
- suggest new links with the community teaching
- promote heritage conservation.


Guidelines for participation

BOGOTA Venice Biennale, Version 7.0
(guest of Honor Mexico) National Artists




1. It shall call addressed to all artists emerging artists, professional artists and local artists in Bogota, Colombia and Latin America, and Mexico on this occasion as the guest of honor 2010.

2. The artists must send their proposals via the Internet to mail contacto@fundacionvisiva.org with a copy to your email for the Biennial bienalveneciabogota@gmail.com until the day August 17, 2010.

3. Of all the proposals, the curatorial committee will select a maximum of 15 projects that form the Venice Biennale VII Bogotá. If projects do not meet the requirements stipulated, the jury may choose a number less than 15 projects, if so may increase the number of participants.

4. The Venice Biennale VII Bogota will be subject, and will involve artists from other areas of the arts and humanities, as well as professionals from other disciplines such as writers, filmmakers, musicians, publishers, architects, etc, who then know the neighborhood presented a draft statement from - the Venice Biennale of Bogota, a pretty teenager, within the broader spectrum of conceptual and formal possibilities.

5. The criteria for evaluating proposals are: a.

Interaction of the work with the community of Venice. It is intended that the proposals arising from the knowledge, interaction and experience of artists in Venice neighborhood. B.
Interpretation and recreation of reality in the community. Proposals are expected to propose new readings and interpretations of spaces, dynamics and representations of the neighborhood. C.
Ability to articulate the local project with a universal context, ie the clear reading of the work in any context within and outside the country, (translated and transcribed) d.
The proposed plastic. Be taken into account formal elements such as technical means, invoice, text, context, currency, etc.

6. Selected works must be delivered to the premises of the Headquarters of the Seventh Biennial of Venice in Bogota, in the Venice area during the last week of October 2010.

7. Works produced will not be accepted in advance, unless the process is consistent with the curatorial line with the philosophy of the Biennale, despite this, such work must be prepared prior part and not in its entirety.

8. The jury awarded only two awards that will be delivered directly by the sponsoring companies or entities without the intervention of the Venice Biennale, but under its control, and the details will be announced during the launch promotion.

9. Entries can make use of public space.

10. Implementation costs, transportation, material, warehousing, insurance, travel and so on., Shall be borne by the artist or artists' groups.

11. National and foreign artists can only participate in two consecutive versions of the Venice Biennial of Bogotá. For a third participation, they must wait for a version of the Local Hall or the Venice Biennial of Bogotá.

12. Registration will cost $ 20,000 (individual participation) $ 30,000 (groups of two members) and $ 50,000 for groups of three or more members.


- International and foreign artists residents in Colombia
(invitation only)

1. Preconceived works will not be accepted, except for fragments of their execution time demand it.

2. International artists will stay in Bogota at least two weeks before the biennial assembly and up to eight weeks.

3. The costs of air tickets, insurance and international taxes, such as materials for the execution of the work borne by the participant or sponsoring foreign entities.

4. The organization of the Venice Biennial of Bogotá VII organizer of the Venice Biennial of Bogotá, DC in association with its alliances and partnerships, will bear the cost of accommodation for up to 5 artists for four weeks, the basic food, travel in groups, Internet access and special services required activities such as opening or planning meetings.

5. The basic inputs for assembly (paint, nails, tape, cables, brushes, etc..) Will be responsible for the visual foundation.

6. The selected artists will be in Bogota from the first week of October and must remain until the last week of October. The artists may remain until the opening of the Biennale to install his work, attend the opening and make their workshops or conferences, or may delegate to the biennial team for installation.

7. The foreign artists as well as nationals must carry an academic activity during the biennial conference either a workshop, a talk or a tour.

8. Registration will cost $ 20 for individual participation, groups of two people U.S. $ 30 and $ 50 for groups of three members on.

THE ARTIST WILL GET THE OFFICIAL ANNOUNCEMENT ON THE ITEMS LISTED AT THE END OF THE CALL OR BE ABLE TO DOWNLOAD AS WORD DOCUMENT OR PDF FORMAT FOR PRINTING BUT SOLE IS ENROLLED IN THE COMMUNITY ROOM VENICE NEIGHBORHOOD (personally and with your card) with a certificate of receipt signed by each artist.

this requirement are excluded from foreign artists who have previously visited the neighborhood, made formally endorsed by the institutions that support international participants of the seventh Bogotá Venice Biennale, coordinated by the foundation visual (Bogotá, Colombia) and La Tannery (Oaxaca, Mexico).

Each artist must have attended at least one of the briefings held every Saturday at noon at the Venice Neighborhood Community Hall from July 3 until July 31, 2010.

Please check schedules and extra meetings on the website of the Venice Biennial of Bogotá.


What to deliver?

1. The technical specs of the work (Author (s), title, technique, dimensions)
2. A page (or maximum 2) with project justification
3. A summary version of the resume
4. At least 3 images (maximum 5) on the project (two and three dimensional)
- For video, performance or processual works, a DVD of more than 15 minutes.
5. A proposal for a workshop or conference (minimum 2 sessions)
Topic suggested target audience, duration, materials needed etc..
6. Assembly diagram or list of installation tips.
7. Registration form with card, photo and fingerprint.


Collection of works

During the last week of September, the Committee will make the final selection of works participating in the BVB_7. Works will be received at the Venice Neighborhood Community Hall during the second week of October 2010.

Artists are responsible for setting up their works with the help of technical assistants of the Biennale. To this end, the artists must state in writing to the organizers of the Biennale before October 4 , 2010, spaces, electric wiring or special adjustments are required for assembly of the works.

Event organizers are not responsible for the work that artists do not retire inthe removal date specified.

technical equipment and supplies will be monitored by the organization of the Biennial but is not responsible for his injury, damage or loss.


Assembly and Disassembly

The Biennale will open on Saturday October 23, 2010 at the headquarters of the Junta de Acción Comunal del Barrio Venice, located in the Diagonal 49 Sur No 53-09, (Tel: 7103225) simultaneously , there will be transmission Live at Living Art Room (Mexico City) and The Tannery (Oaxaca).

Entries must be installed during the week before the inauguration. The biennial will be dismantled on October 28, 2010.




Committee The Committee consists of the following:


Franklin Aguirre. Director of the Venice Biennial of Bogotá.
Fabio Bernal. Secretary General of Foundation visual.
Marta Claudia Cancino. General Coordinator of Foundation visual

Cesar Ramirez. Institutional Relations Coordinator
Alejandro Burgos. Curatorial coordinator.
Esteban Sanchez. Project Coordinator.
Juan Mauricio Vargas.

Media Coordinator David Perez. Logistics Coordinator

Natalia López. Coordinator of the Celebration.


International coordination will be in charge of the tannery (Oaxaca, Mexico) and Office of Cultural Affairs, Embassy of Mexico in Colombia


conferences and talks

will develop a series of workshops in schools and the local library in Venice, the Venice Neighborhood Community Hall, the complex urban Biblored Library and the headquarters of the Bogota Chamber of Commerce at Kennedy from September 2010 until the last week of November. Will seek to encourage the community to interact with the Venice Biennale. View

updated programming on the web and blog during the month of October


workshops and guided tours during the Biennial
up conferences take place in the adjoining room to the main hall of the Community Action Council of Venice, as A series of guided tours must be booked by e-mail or telephone no later than the last week of October.

FINAL NOTE:

The official schedule VII Bogotá Venice Biennale will be in the community room of the Venice neighborhood in website on the blog and in the press.

Organisers may change the terms or dates timely warning to the participants.

firm entry implies acceptance of each and every one of the parameters set forth herein.

If additional questions, please consult the organizers via the Internet.

Info:

e-mails:

contacto@fundacionvisiva.org
bienalveneciabogota@gmail.com


franklin.aguirre @ gmail.com Website and blog


www.bienal-
www.fundacionvisiva.org venice-bogota.blogspot.com


© 2010 / visual Foundation.

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Environment Day


This Saturday June 5 Come and enjoy the World Environment Day, to develop activities outdoors and enjoy nature.
Free Admission.

Curtain Rod With Angles

TASTE OF VICTORY

Shortly before the little car ENFILE the grandstand straight and pass under the banner of career judge, the public has been fervent standing ovation to the new champion. It's time the fans were waiting, after nearly two hours of intense competition and continuous alternatives that have remained with a heavy heart. The mourning has been so exciting nobody has complained about the sun of justice that has warmed the steps of the circuit, to turn it into a barbecue. Now, the faithful followers huddle around the podium to see how the hero gets the honors of rigor, the handshakes, the winner's trophy, the cava. People know too well the ritual that closes the festivities, with foam coming out of the enormous pressure bottle, hose-wetting converted to the flight attendants to rivals, mechanics, and so on. Everyone is waiting with open mouth to receive at least a spark of triumph of the new idol. However, to everyone's surprise, the pilot asks you to bring a cup-shaped glass shade, while quietly rolled wrapper covering the bottle cap, and instead of shaking the uncorks with a precise movement and content to keep the liquor is tame. Then tilt the glass and fills in two rhythmic. The rise smiling and takes the first sip to taste the bouquet. Then another long and deep, to be seduced by the taste of victory.

Text and image from Pedro Herrero

Paper Tech Deck Template

at dusk

By late afternoon, the first extraction of the fifth neighbor walking his Irish Setter beautiful long auburn hair, and takes it to Park near the eucalyptus trees, crossed by wide avenues and shady and secluded corners, all but impregnable. Almost simultaneously, the neighbor of the fifth second does the same with your skin German Braco ash and sullen look, which tied his master leads only to comply with local regulations, as respects the beast the road and living patterns much better than some tenants of the building. In the park, the event is inevitable and tests the tensile strength of straps that separate people from animals. The couple is approaching, sniffing and tempt challenging gestures in a continuous movement of attraction and repulsion. Whether you have seen the previous evening. No matter that everyone knows the smell of the other as if it were his own. The charge traps them in a noose, and, far away try disentangling (or maybe with that excuse), I hit the big time without any pretense. Of course, in the rush and excitement rarely come to consummate what willingly lengthen until late at night. Because very soon it will close the park gates, and at home are waiting for dinner to their families. Even so, they must be the dogs, barking deterrent, loaded with wisdom, those who return to reality.

Text and image from Pedro Herrero

Dad And Son Are Both Gay

New Media Thanks Contact

I Rene Quezada, a student of IDMA "Environmental Institute", do my practical training in the Nature Sanctuary Yerba Loca, I leave very happy with what they have learned and achieved in the Sanctuary. Thanks for the opportunity and experience.

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THE EVENING BAG

My wife asked me to give her something from her bag, I'm not sure why. Both were living miracle after our car was built into a tree that appeared by surprise on a bend of the road. I think the tree was distracted and wanted to cross the road to indulge. That's what I thought when I regained consciousness. I told my wife but she said I do not know what the bag. What bag? "I protested, quite irritated to see that conversation changed. I did not understand his answer. Perhaps he had lost his false teeth on impact and response carried a purse. I opened it with effort, not because of the zipper, but the pain just let me move my arms. He hoped to find whatever common sense or because there were few things. What naivete, mine: I started taking scarves, tubes of cream, lipstick, a mirror, a purse, a comb. What? I shouted, again without understanding the words. Perfumes, pads, towels, keys, diary, mobile ... Suddenly, I became aware of how little I knew my wife. All those possessions were part of their identity. Should be as familiar to me as his caresses and kisses. However seemed strange objects and made me feel uncomfortable when handled. Then I had a sudden attack of hunger, but in that sense could rest easy: there were also bags of corn, candy, fruit juice. When it got dark I thought if I could not soon my goal, would have to find somewhere to spend the night. Anyway, if you had come so far, he would not return empty handed.

Text and image from Pedro Herrero

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I was turning on the lights of the factory in the control panel of the main hall, just before it entered the evening shift in assembly line when she appeared before me, wrapped in a halo of iridescent light that floated around as a constellation of stars. I could not describe its appearance in detail, but I seemed different from the pictures I had seen in the history books, as well as in the paintings and sculptures. I said it was the world spreading his truth and I, who knows if stunned by the glare that clouded my senses, I said that was not worthy of the company. She recalled that she appeared to others on several occasions. I told him I knew but with all due respect, I suggested him to notice someone with people skills and a proven mastery of several languages, including English. She said not to worry about anything, as it would in my mouth the right words in a language we all understand, and I would provide the necessary charm to seduce the crowd. I was almost ready to give my consent, but then knocked on the door and the scene was removed. And all because that idiot did not know where to go to see and ask not know who I do not know what.

Text and image from Pedro Herrero

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already assuming the new administration of the Shrine LATITUDE 90
we inform our friends of Yerba Loca , Our new means of contact:

Phone: 9-8587367
E-mail: amigosdeyerbaloca@gmail.com

Summer Hours:


Income from 8:30 to 18:00 from Monday to Sunday Departure

Until Winter Hours 20hrs

:


Income from 8:30 to 17 Monday to Sunday Output

Even

18hrs Price (per calendar day, per person)

Adults: $ 2,000

Children: $ 1,000

Camping

Adults: $ 2,000 per day to the sanctuary.

Children: $ 1,000 per day inside the sanctuary.

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Latitud90


February 11

The administration of the sanctuary is handed over to the starter with Latitud90 tourism. The new company plans a major improvement in the area called Villa Paulina, in picnic areas, restrooms, road improvement, yurt's installation, construction of an environmental education center. The new administration

This will be done Thursday at the offices of the sanctuary to take office.

Sanctuary In this process worked normally, in normal times, plus there will be a change in phone contact and email. This information will be as soon as possible to all our visitors dispocision.

Tmobile Sim Tracphone

ALMOST TIME LIKE IN THE MOVIES WE MEET IN SEEING

She was a gullible young and harmless, passing through the city, he should not have got while looking for a particular direction, which was assaulted in a lonely corner by two men armed with knives, threatened to kill her if they were not handed over all he had value. But then came He (perhaps lived there or knew how they spend a few), and promptly punched bundled with those criminals, displaying a fighting skills commensurate with their manly, and then dealt a severe correction managed to flee as two cats scalded, without achieving its goal. She was strongly impressed, with the courage and gallantry of her handsome savior, but quickly passed the shock, he regained his calm and forgot what happened. He, however, that he had never fought with anyone (only seen in movies), even flushing lasted a few more days, in which he avoided by all means to be seen again in a place so unreliable.

Text and image from Pedro Herrero

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awarded the Training Management "knowledge bases, management and conservation of Bats"

"a look at the Bats of Chile 2010"

Under this framework will be held on Wednesday 13 of this month, the Training on the basis of knowledge, management and conservation of bats. That was in charge of Renzo Vargas Rodriguez, biologist and head of the "Programme for the Conservation of Bats of Bolivia.

of this training took our Ranger Victor Troncoso and Benjamin Garcia, together practitioners who are for this season Matias Ferreira, Ninoska Romero, Nataly Abarca, Carolina Fernandez and Luis Loyola, also two of our volunteers.

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The weekend just past our Volunteers, Interns and Rangers have been trained in a course of basic mountaineering techniques. Thanks to the Junior Officer Instructor dispocision Alfredo Avila of the "Directorate General of National Mobilization." On this occasion the topics are covered: reconocimeinto team handling this, rope work, knots, crossing rivers THROUGH ropes, rappel and climb Jumar.

Characteristics Union Jack

Practitioners Training International Volunteer Tourism

This summer season 2009-2010, our sanctuary will be supported by a group of students from the Specialty of Tourism of Liceo de Santiago, they will be supporting the work of Rangers for a period of three months (December, January, February).

strengths is how the interest to the tourist environment of this beautiful natural place so close to Santiago.

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was so long that he knew nothing of my childhood friend, I have stayed in one piece to learn that from now on work together in the same company. I quickly searched for his destiny in terms of new employees and have called on the phone. Funny how the voice is the least change in people: a little weak, hoarse, while maintaining the nuances that were fixed in my memory. I mentioned it and I replied that my voice is also that of ever, in general, and what joy to agree with me. Then we have mentioned our student years, insecurity, rebellious attitude, the unconscious audacity with which We planned the future. We continued with the directions, so different, that we since then we have been, variously, to a present from which we have no right to complain, although much of our energy is lost on the road. So we went with a review of all outstanding issues, and in the end we stayed to see us today, to eat together after work. When you hang up the phone, even with the smile, I realized that in fact we have already that all he had to say.

Text and image from Pedro Herrero